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The album also features production from other notable producers, including Matt Martians and Steve Lacy ( The Internet), Louie Lastic (Soulection) and Sevn Thomas ( Rihanna, Drake, PARTYNEXTDOOR). He's from here and understands our culture." "What draws me to his style is the way that it properly displays black realism, modern art and the sound of D.C. "I was looking for an artist who could translate black culture well in today's time, nostalgically, and he nailed it," GoldLink, who's been working behind-the-scenes with Moreno to visualize the next phase of his career, says. Moreno, a DMV native who used rotoscope animation to bring his gritty painted interpretations of GoldLink's evocative sound to life. The song's release is accompanied by what the artist refers to as an "animation audio visual" of complementary artwork by Darius X. Unlike DMV rapper Wale, who's notably incorporated elements of go-go into his music, GoldLink's taking a less literal approach.
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"She was our girlfriend and we didn't want anybody else to f*** her.
![jazmine sullivan new album 2017 jazmine sullivan new album 2017](https://www.thelist.com/img/gallery/inside-jazmine-sullivans-relationship-with-her-boyfriend/jazmine-sullivan-and-dave-watson-started-dating-in-2017-1612194456.jpg)
because we, as the people, didn't allow it to," he says. "Go-go never really broke outside of D.C. The yearning he expresses for his love interest throughout the song also personifies the protective nature of D.C.'s relationship with go-go. Yet in reality, I'm with my homies and I got to make sure that everybody leaves in one piece." "You make up this weird scenario of you floating across the room and saying the best panty-dropping one liner of all f****** time. "It was easy for me to channel that reality and fantasy factor for that song because it really happened to me growing up," he says, recalling how it felt to spot a girl from a distance while mustering up the confidence to approach her. Then one thing leads to another." The music often underscored competing passions - the romantic and the real - which is part of the paradox that makes "Meditation" captivating. "Because the hoods were so close and the parties were so scarce, so many people from different neighborhoods created tension.
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"I've been in so many situations like that off of the strength of growing up in Maryland and D.C," GoldLink explains. The Record Remembering Go-Go Legend Chuck Brown "I want people to understand the culture of where the music came from and, to do that, I try and explain the feats and perils and the everyday experience of people from here who know that era," he tells NPR via email. But it's the essence of the culture, rather than the sound palette, that he's most interested in distilling. The new album, still publicly untitled, marks a first for GoldLink, who debuted to critical acclaim with his 2014 mixtape The God Complex, as he attempts to pay homage to go-go. Over Montreal producer Kaytranada's electro-bounce track, featuring Jazmine Sullivan on the hook, GoldLink channels a late-night party vibe that reverberates with nostalgia for his musical roots. It's all intimate terrain for 23-year-old DMV (shorthand for D.C., Maryland, Virginia) native GoldLink, and the latest single from the rapper's forthcoming debut full-length provides a perfect "Meditation" on the theme. In the book Go-Go Live: The Musical Life And Death Of A Chocolate City, writer Natalie Hopkinson uses Washington D.C.'s half-century-old sonic identity as a lens to magnify the historic intersections of race, class and causality in America's stratified capital.